
Marathi cinema, also known as Marathi film industry or "Mollywood," is the film industry based in the state of Maharashtra, India. It is one of the oldest regional film industries in India and has a rich history that spans over a century. Here's an overview of the history of Marathi cinema.
Early Years (1912-1940s)
(Shree pundalikThe first Marathi film, titled "Shree Pundalik," was released in 1912, directed by Dadasaheb Torne. The film was a silent movie based on a popular Marathi play. The early years of Marathi cinema saw the production of several mythological and social reform-themed films. Bal Gandharva, the renowned Marathi stage actor, played a significant role in popularizing Marathi cinema during this period.(Shree Pundalik, which was released on 18 May 1912)
Release in
18 may 1912)

(Dadasaheb trone
13 April 1890 To 19 jan 1960)
Pre-Independence Era (1940s-1947):
During this period, Marathi cinema witnessed the emergence of notable filmmakers like V. Shantaram, who directed critically acclaimed films such as "Manoos" (1939) and "Shejari" (1941). V. Shantaram's films reflected social issues and depicted rural life in Maharashtra.
During this period, Marathi cinema witnessed the emergence of notable filmmakers like V. Shantaram, who directed critically acclaimed films such as "Manoos" (1939) and "Shejari" (1941). V. Shantaram's films reflected social issues and depicted rural life in Maharashtra.
Post-Independence Era (1950s-1960s)
After India gained independence in 1947, Marathi cinema experienced significant growth and diversification. The 1950s and 1960s are considered the "Golden Era" of Marathi cinema. Prominent filmmakers like Bhalji Pendharkar and Raja Paranjape made significant contributions to the industry. Iconic Marathi films such as "Shyamchi Aai" (1953) and "Teecha Baap Tyacha Baap" (1954) were released during this period.
( Release in 1953 directed by
Pralhad keshav Altre)
(Bhalaji pendharkat-1897 To 1994 Best work
1925 Bajirao Mastani · 1927 Vande Mataram Ashram · 1931 Rani Rupmati · 1932)
Experimental Cinema and New Wave (1970s-1980s)
The 1970s and 1980s saw the rise of experimental cinema and the Marathi New Wave movement. Filmmakers like Jabbar Patel, Shyam Benegal, and Vijaya Mehta created thought-provoking films that tackled social issues. Notable films from this era include "Sinhasan" (1979) and "Umbartha" (1982)
(Release in 1982
Directed by jabbar patel)
Directed by jabbar patel)
(Marathi filmmaker
Jabbar patel
Bron 23 jun 1942)
Mammo (1994),Sardari Begum (1996) and Zubeidaa (2001)
Commercial Success and Modern Era (1990s-Present)
In the 1990s, Marathi cinema witnessed a resurgence in popularity with the release of commercially successful films. Filmmakers like Mahesh Kothare, Sachin Pilgaonkar, and N. Chandra made films that appealed to a wider audience. The success of films like "Ashi Hi Banwa Banwi" (1988) and "Sarkarnama" (1998) marked a shift toward entertaining and commercially viable cinema.
(Release in 23 sep 1988
Directed by sachin pilgaonkar)
( sachin pilgaonkar bron in 17 Aug 1957 Marathi filmmaker)
In recent years, Marathi cinema has seen tremendous growth and recognition both nationally and internationally. Films like "Sairat" (2016) and "Court" (2014) have received critical acclaim and won prestigious awards. Marathi cinema continues to produce a diverse range of films, encompassing various genres and themes.
Overall, Marathi cinema has a vibrant history and has played a crucial role in shaping the cultural landscape of Maharashtra and contributing to Indian cinema as a whole.
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